内容摘要：He spent the last three years of his life in exile in France, where he composed his last work, The Ballad of Reading Gaol, describing an execution at the prison.

He spent the last three years of his life in exile in France, where he composed his last work, The Ballad of Reading Gaol, describing an execution at the prison.

The House of Lords has dealt a second defeat to the government over its Data (Use and Access) Bill.Peers had already backed an amendment calling for more copyright protections for the creative industries from artificial intelligence (AI) scrapers once.

MPs rejected that amendment and sent the Bill back to the Lords, where Technology Minister Baroness Jones told peers it would lead to "piecemeal" legislation as it pre-empted consultation on AI and copyright.However, there was broad and vociferous support for Baroness Kidron, a film director and digital rights campaigner, who accused ministers of being swayed by the "whisperings of Silicon Valley" asking them to "redefine theft".The Lords rebellion follows

, who called the government "losers" over the weekend and said ministers would be "committing theft" if they allowed AI firms to use artists' content without paying.He joins the ranks of high-profile musicians, including Paul McCartney, Annie Lennox, and Kate Bush, who are outraged by plans they say would make it easier for AI models to be trained on copyrighted material.

Kidron's amendment would force AI companies to disclose what material they were using to develop their programmes, and demand they get permission from copyright holders before they use any of their work.

Highlighting the power differential between the big tech giants in the US and creatives in the UK, Kidron branded the government's plans "extraordinary".The children waved and blew kisses to their mother.

Afterwards, Asma told us: "I don't know what to say. I am very grateful for my mum for all she is doing for me. I wish I can return back to find them safe and in good health." She broke down and was silent.It is only through the eyes of a mother who sees her children trapped, frightened and hungry from a safe distance, that it is possible to imagine why anyone would want to go back to Gaza.

Sometimes in war it is the smallest sound that can make the loudest statement.In Gaza's Nasser hospital, a five-month-old girl struggles to cry.